Fictile 12.1
by Anne Tophøj

A sensuous breakfast set with different colours, qualities and treatments.



Fictile 12.1 is a breakfast set or collection of breakfast ‘utensils’. The different colours, qualities and treatments reflect her goal of adding a new sensuous dimension to breakfast. So although ‘Fictile’ simply means ‘shaped in clay’, Fictile 12.1 expresses Tophøj’s fascination with and inspiration from the many different materials and techniques. In this case she uses the techniques of pressing, jiggering and casting. The goal, Tophøj explains, is to define a playing field with a few key players – to create an open space with a wide framework that is open to interpretation and further development.

Anne Tophøj’s work revolves around use and function, material and technique, and form and its expressive aspects. She takes an explorative and experimental approach – by constantly altering her method and point of departure she explores the creative potential in relation to shape and appearances. Anne Tophøj focuses on the stage before things are determined, when the possibilities have been identified and laid bare, and everything is still wide open. In recent years, Anne Tophøj has pursued a design approach that leaves room for randomness and unfinished elements. This form approach and idiom are closely linked to her interest in production and method aesthetics and generative form-giving – an approach that draws on the potential of a material, tool or technique.

In recent years, Anne Tophøj’s ceramics has been featured in several exhibitions, including ‘På Tværs’ at Carlsberg in Copenhagen in 2010, ‘Statistics>Anne Tophøj, b. 1960, ceramic designer. Graduated as a ceramist from the Danish the School of Decorative Art in Copenhagen (now The Royal Danish Academy of Fine Arts – The School of Design) and as a Master of Industrial Design from Pratt Institute in New York.

Fictile 12.1 - by Anne Tophøj
Photo credit: 2017 © Danish Crafts / jeppegudmundsen.com

More from this exhibition

The Dandies <br>by benandsebastian
Ash <br>by Thomas Bentzen
Papercuts <br>by Louise Campbell
Hook <br>by Line Depping
In Your Big Sunny Window <br>by Anne Fabricius Møller
Beetle Chair <br>by GamFratesi
All Good Things Come in Threes <br>by Peter Johansen
Field of Interference <br>by Kaori Juzu
Poet’s Book Hanger <br>by Jakob Jørgensen
Georg <br>by Christina Liljenberg Halstrøm
Space Meter <br>by Eske Rex
Pink Elephants & In the Dark <br>by Louise Sass
Frieze P7 <br>by Bente Skjøttgaard
Fictile 12.1 <br>by Anne Tophøj
Tumblers & Plates <br>by Tora Urup
Suitnest Dinner <br>by Henrik Vibskov